Brotherhood and Modern Philosophy: The Great Glass Sea

Book Review: The Great Glass Sea by Josh Weil

Book Cover: The Great Glass Sea
Book Cover: The Great Glass Sea

As I read this book, I was sure I would not write a review about it. The Great Glass Sea is a dense, complex story. It is stuffed with thick, filling imagery and, frankly, it took a long time to read. At first, I thought there would be nothing I could say that would add to the experience of this novel, but I let my thoughts percolate for a few days and I have decided to write.

I was excited to get this book even though I knew nothing about it. I received The Great Glass Sea for my first installment of Powell’s Indiespensible, a subscription service for hand-picked books accompanied by thematically-appropriate goodies (this book came with a water bottle and several sachets of tea, if you are wondering). Since I did not know what to expect, I also found it hard to start this book. The first few pages seemed compelling, but I got a little bogged down in the newness of the concept and the Russian names. However, once I got used to that, I definitely got into the story and the way the story was told.

The Great Glass Sea follows the lives of twin brothers Yaroslav (Yarik) and Dmitry (Dima) Zhuvov—not their entire lives, of course. That would be dull. Rather, Weil zooms in on what separates Yarik and Dima, what pushes their lives onto opposing trajectories.

There are hints of Yarik and Dima’s separation from the beginning of the story, from their childhood, but it was not until I neared the end that I realized that the seeds of their separation were sown so early on.

Most of the story focuses on Yarik and Dima as adults. The boys’ town, located in the north eastern reaches of Russia, the parts that get so little winter sun, is home to a mad engineering project: the Oranzheria (“greenhouse” in Russian). The Consortium is building a gigantic series of mirrors to reflect light into the city. The project invigorates the people of Petroplavilsk. Men work 12-hour days erecting the mirrors, working their way across the Petroplavilsk and the outlying area. Yarik and Dima used to work on the same crew, but that changed after they were found doing nothing all day while on the clock by the Consortium’s CEO. Afterward, the brothers are put on separate shifts. They only see each other on holidays and at the bus stop during the shift change each day.

A map
Where in the world is Petroplavislsk? Waaay out there.

This separation sets off a series of events that propel the brothers Zhuvov into separate orbits. Yarik becomes a “friend” of the CEO and the front man for the Consortium’s advertisements in Petroplavilsk. Because Yarik has a wife and two young children, he sees the importance of moving up and embracing the culture of work. Dima, in contrast, quits work not long after their separation. Dima decides he feels no need to work. He roams the city, falls in with various anti-Oranzheria groups and, for the most part, loses the will do to anything other than save up for a day when he can be together with Yarik.

Each brother shows a side of this modernized, capitalized Russia. This is a Russia dragged out of the Soviet Era, which the people of Petroplavilsk call The Past Life, and into a world infused with American-style capitalism.

What is interesting about how The Great Glass Sea illustrates these concepts—brotherhood, capitalism—is that each brother personifies a choice. What I really like about this is, in my view, that Weil did not make a judgment. Is the capitalism better than The Past Life? Worse? You decide, dear reader. From this portrait, it seems that there are both positive and negative consequences for either decision.

Dima represents The Past Life. He wants to purchase their uncle’s old farm (technically the farm belongs to a socialist collective, but the brothers Zhuvov are among the few who can now purchase it) and live there with Yarik and his family. To Dima, work is pointless if he cannot spend it with his brother. In fact, most of life is pointless without Yarik. Instead of working, Dima saves the money that Yarik gives him to take care of their mother. He sells practically everything not nailed down in the apartment he shares with his elderly, addled mom. Dima searches for meaning out in the world, rather than attempting to find meaning through work. However, the people of Petroplavilsk view Dima as a layabout at best and as a lunatic at worst. His indifference toward temporal needs hastens his mother’s death. His inability to connect with the rest of the world makes him an outcast and further separates him from his brother.

Yarik represents a work-focused, capitalistic viewpoint. He wants to provide a good life for his wife and kids, rejecting Dima’s bucolic vision. Although Dima remembers life with their uncle on the farm as some kind of paradise, Yarik recalls the miseries and the work involved with living off the land. At the Oranzheria, he ascends from laborer to foreman to manager thanks to his relationship with the Consortium’s CEO. While his progress is emblematic of the American Dream (permit me this; there does not seem to be a “Russian Dream”) his rise is actually not a reflection of a functioning meritocracy, but is a way for the Consortium’s CEO to get ahold of the farm that a bunch of old communists refuse to sell—the farm that Dima wants to buy. This relationship also puts Yarik in several ethically questionable and even dangerous situations. But on the upside, Yarik’s family has a computer and a car.

The Great Glass Sea intrigues me because it does not pick sides. Is The Past Life better than the Oranzheria’s present? I find it reassuring to find a work that depicts a dichotomy without taking sides. So very different from the current American trend of giving equal time to “both sides” of an issue, whether or not an issue is too complex to have “sides” like that.

Philosophy aside, there were other compelling elements to this novel. The Great Glass Sea is speculative fiction with the lightest of touches. I am tempted to call it science-fiction, but I am not sure I really can. The Oranzheria is science-fiction-esque in that humans built a contraption to redirect the light of the sun so that a Russian town does not have to endure darkness any longer. Despite that, the Oranzheria is more like a set piece than like something from science fiction. Maybe it is hard to call this science fiction because the people and the world are so starkly real.

I would perhaps like to categorize the book as magical realism, but I think that might be a stretch too. The Great Glass Sea is very real, very present. I would even classify it as literary fiction, but the book, like its characters, takes multiple views. I think that genre fiction fans will enjoy it, as will readers of “literary” or “regular” fiction (what is that even called? This may be a sign that I read too much “genre” fiction. So be it).

The Great Glass Sea brings Russian folklore into the fray as well. Although I love myth and folklore, it turns out I know nothing about Russian folklore. One creature that is mentioned throughout the book is the Chudo-Yudo. There is not even a Wikipedia page about this creature (in English at least). It seems to be some kind of dragon (but possibly a metal band, who knows?). Clearly, I need to read up on it.

The Chudo-Yudo
The Chudo-Yudo, terrifying yet adorable.

Finally, Weil’s prose, once you settle into it, is delicious. His descriptions are long and lovely. This does make the book slower to read, unlike a dialog-dense book that moves along at a brisk pace. It’s worth it though.

Here’s a sample of Weil’s writing style. This is a description of the Oranzheria—also called the zerkala coming into view:

In the last hour of nature’s light, as the planet rolled away from the sun, the zerkala rose off the eastern horizon, their refracted glow red as the sky in the west. People called it vooskho zerkala. Mirror rise. From then to dawn the satellites drifted overhead, a sliding swatch of stars, their mirrors ever angling to cant the sun’s light down on the same circle of earth. And as the first zerkala followed their path over the world’s western edge, the bank of mirrors behind them took up the task, and then the zerkala behind them, and behind them, all through the hours that once were night.

What to read next:

  • Ann Leckie’s Ancillary Sword. Did you know the sequel to Ancillary Justice is out? Go read it!
  • In his acknowledgements page, Weil names a few books that helped him write this one. One is Russian Fairy Tales compiled by Aleksandr Afanasev. It sounds like a good entry to Russian folklore, which I am now interested in reading more about. The chudo-yudo! We must learn more of this strange beast.
  • The Girl in the Road by Monica Byrne is another book I read recently. It, too, has a starkness to it, but this novel has stronger science-fiction elements. Highly recommended!

Now with 100% More Civilization

Book Review: Three Princes by Ramona Wheeler

Three Princes book cover
Three Princes book cover

Three Princes is a book that seems to be based on the question “What if Egypt never stopped being great?” In Three Princes,The eastern hemisphere is ruled by a civilized, modern Egypt; the western by a fusion of the Incan and Aztec empires. The novel is apparently set in this alternate universe’s early 19th century. There is a bit of a steampunk vibe accompanying the strange melange of speculative fiction that Wheeler has committed to the page. The story itself is excellent, especially if you like espionage, but what I really appreciated were the books concept and its perspectives on gender issues and religion.

The titular three princes are Lord Scott Oken, Professor-Prince Mikel Marbuke, and Prince Viracocha. Lord Oken, the fourth son of a prominent family in the Britannic Isles, is the story’s protagonist. Although not originally from Egypt, he was educated in Memphis and became a part of the Pharaoh’s spy network. Oken is a memoryman—a person with perfect eidetic memory, trained to recall all—and student of and assistant to Professor-Prince Mabruke. Mabruke trains young spies for the Pharaoh and, as his cover, teaches university courses in aromatics. The Pharaoh calls upon Oken and Mabruke to investigate rumors that the Incas are building a craft to fly them to the moon. In the course of their investigation, they encounter the third prince, the good-natured Prince Viracocha, son of the Incan emperor.

Our princes face the rebellious Black Orchid Society whose mission is to bring down Egypt and replace her reign with that of Queen Victoria, at least one insane Incan prince, and various unnamed European nobility. Without giving too much away, I will say their plan for world domination hinges on a scheme to send the aforementioned moon-bound craft into space to rain explosives down on Memphis. The princes’ journey involves a delightful man-powered flying craft called quetzals (the Nahuatl word for feather), plenty of espionage (Egypt’s preferred way of doing business, talking is much more civilized than fighting, as they say), and lots of beautiful people.

a quetzal
A quetzal bird, yes that’s a real thing

I’m realizing that what really sells me on novels is the concept. I loved the concept of Three Princes and not just because I wanted to be an Egyptologist (but also because of that) when I grew up. Wheeler’s alternate universe is a rich one. She does not go into the world’s history or its various details except as the narrative requires it, but I enjoyed thinking through what could have lead to such a world.

Dear reader, if you would indulge me briefly: it seems that Cleopatra and Caesar formed a strong Egyptian-Roman partnership able to withstand time. Lord Oken explains that he is a direct descendant of both Cleopatra and Caesar and that apparently comes with bragging rights in this world. There is also a vast system of roads, presumably inherited from Roman empire-building. With the Egyptians cum Romans running the show, Europe and Saharan Africa were united. This stunted the formation of various European empires like those of Spain and England. This, in turn, either prevented expansion to or discouraged colonialism in the “New World,” allowing the indigenous empires to flourish. The Incan prince Viracocha states that the Aztecs and Incas fused into one mighty empire and he mentions the mysterious “Maya Lands.” In short, Egypt exerts a civilizing force over the entire planet.

I liked how Wheeler dealt with gender issues in Three Princes. The Egyptians, civilized folk that they are, wear kilts or skirts as a regular part of masculine dress. Egyptian men also wear makeup. Not only that, but wearing makeup is an essential part of looking civilized. At one point, the reader is treated to this humorous exchange between two male characters:

“Our makeup must be perfect in the face of disaster.”

“We are Egyptians, sir.”

There is nothing more Egyptian than looking good and turning in out regardless of circumstances.

Wheeler also shows the differences in how women are treated in Egyptian and Inca culture. Although the protagonists are men, there are many female supporting characters. Lord Oken, in particular, is a window into the Egyptian mentality on women. When Oken and Mabruke visit the Inca, they stay in rooms meant for a newly married couple. Mabruke asks Oken which room he would choose for making love to his bride. Oken responds, “Any place my lady pleases. Ever and always.” To which Mabruke comments, “Spoken like a true Egyptian.” They continue their conversation to observe that the women of the Inca seem singularly repressed. “Women as suppressed as these Andean lovelies are surely the weak point of their civilization,” Oken opines.

Later on, one of the Inca degrades his general by calling him a “fool” for taking orders from a woman. In another instance, in reference to childbirth, the Inca prince asks who would take a woman’s word for who the father of a baby is. This shocks the Egyptians who respond, “Who could know better than the woman herself?” The question belies a more progressive attitude than that seen in our society today and I will leave it at that.

The Egyptians see women as humans. Egyptian women attend university, and in fact, Oken and Mabruke accept their mission from the Egyptian queen. Their ability to see women as people is also what wins the day at the end of the story. Their escape from a fairly unhappy situation was made possible by several women whose talents they trusted.

Another cultural aspect I liked was that of religion. In the Egyptian mindset, all faiths are true. When the nefarious Black Orchid Society claims that they have the one true faith, Oken becomes confused, hardly able to understand the allure of a group making such a claim. He muses, “I mean, if all faiths are true, then this Black Orchid thing is true. But if it’s true, then every other is false, which means they’re all false, so this Orchid thing is false. It just doesn’t add up.” For me, as a non-religious person, I feel like it would be a little easier to accept religion if the prevailing cultural norm was “all faiths are true.” Why is one god and more believable than another?

Wheeler also demonstrates how one’s religion can be a civilizing force. When asked what his gods demand of him, Oken replies, “That I learn to be a decent, civilized human being.” Well, gods be praised, sign me up for that religion! A society’s gods say a lot about what the culture values. In the case of Egypt and its Naytures, civilization and being a decent human is foremost. In contrast, the Inca gods demand blood, which is quite specific and not open to interpretation.

Finally, I want to end with two small points that amused me. The concept of a memoryman made me think of the mentats in Frank Herbert’s Dune. There is some difference—mentats were meant to fill the gap created by humanity outlawing thinking machines. Memorymen have perfect recall instead in a world that has never seen computers. The end result is the mostly the same and, for someone like me who values knowing everything, is pretty enviable. The other thing that make me chuckle is that Oken likes to check the “Horus-scopes” for the day’s prognosis. Of course, this is a pun on horoscope. I actually looked up the etymology on this because it seemed a likely derivation, but no, our English word comes down from Greek for “a look at the hours.” I like Horus-scope better though.

In any case, Three Princes is certainly worth reading. I like to pick all the little concepts out of a book. The story is not all about people talking about religion and gender issues, but those are the aspects of a book I like to discuss. The plot advances well and there is plenty of intrique. I recommend it.

Update (from Twitter): Ramona Wheeler approves of this book review. I think that’s pretty cool!

What to read next:

  • Queen of Kings: A Novel of Cleopatra, the Vampire by Maria Dahvana Headley is a story about Cleopatra (yes, of Anthony and Cleopatra fame) turning into a vampire as the result of a malicious god and a botched summoning. The premise is kind of silly, but it was an entertaining read.

  • Ancillary Justice by Anne Leckie is my next pick. Did you not read this book after I told you too? Well, here is your reminder. Even though Ancillary Justice is a space opera, what makes me feel these works are kin is that they both situate themselves at the heart of “civilization.” Civilization has fluid gender performance! That is what modern writers are telling us.

  • Dune by Frank Herbert. This is a sci-fi classic. If you haven’t read it, you should read it. It is one of my long-time favorites.

Come at Me, NSA

Book Review: No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State by Glenn Greenwald

book cover
Book cover: No Place to Hide

No Place to Hide is the culmination of a year’s worth of work with Edward Snowden’s cache of NSA documents. The author, Glenn Greenwald, is perhaps best known for his articles in The Guardian documenting national security abuses and the NSA’s surveillance programs. No Place to Hide gives context to the whole event and speaks in detail to the NSA’s actions, the problems with mass surveillance, and the complicity of the media in the whole affair.

What the NSA is doing …

The first section of the book reads a bit like a thriller novel. Greenwald receives an anonymous message from someone promising a major scoop, but the source won’t share the information unless Greenwald sets up some complicated email encryption. Although Greenwald was interested, he did not follow up with the source. Later, Laura Poitras, friend to Greenwald and the other journalist involved in the Snowden leaks (by the way, they won a Pulitzer Prize for their work on this subject) encourages Greenwald to follow a lead that she has. The lead, of course, turns out to be from Snowden who was also the person trying to convince Greenwald to set up encryption Greenwald almost missed the most important story of the decade.

Both Greenwald and Poitras, along with another reporter from The Guardian (with which Greenwald was affiliated) to Hong Kong to meet Snowden. The set up for the meeting is elaborate—the reporters identify Snowden by looking for a man with a Rubik’s cube and exchange pass phrases. Eventually, they begin interviewing Snowden, barely beat The Washington Post to the story and have to leave Hong Kong in a hurry to avoid discovery.

I did want to hear more about the personal story of Snowden, Greenwald, and everyone else involved just because it seems like the kind of story that does not really happen in the modern world. Yet, it did happen. But No Place to Hide, while garnering the reader’s attention with this exciting tale, then turns to the real issue after this exciting introduction: NSA surveillance.

Greenwald reviews some of the major revelations from Snowden’s meticulously organized material. Snowden explained that one of the reasons he wanted to provide this information to a reporter, rather than dump it onto the internet, was that he wanted someone who could put the information in context and make it meaningful. I know that if I were to scan all the documents Snowden provided, I would not get a lot out of it. Fortunately, Greenwald helps readers understand the ecosystem of NSA surveillance, guiding the reader through some rather complex issues.

As usual, I do not want to summarize in any great detail because the book is available to those who want to read it. The overall theme that I took from Greenwald’s descriptions of the NSA’s programs was that the scope of these programs is much, much larger than the average person realizes. The goal of the NSA is literally to collect everything. That is not hyperbole. Greenwald includes slides from various training presentations in the book and the “gotta catch ’em all” attitude is prevalent. The NSA has multiple programs, plus collaborates with the other “Five Eyes” countries (the United States, England, Canada, Australia, and New Zealand) to gather everything about everyone.

Metadata is one of the critical pieces of the NSA’s program. As someone with a degree in library science, I know what metadata is without asking. When we talk about phone records, metadata is information about when you make calls or send texts, who you call, and how long you stay on the phone. Most people dismiss metadata collection as a minor issue. Greenwald points out that, using metadata, an expert can get a strong sense of how you spend your time. An analyst could determine when you normally sleep, what religion you are (do you make a lot of phone calls on Christmas?), your social network, and a lot more. In fact, metadata can be more informative than the content of a call.

the exterior of the NSA headquarters in Maryland
NSA Headquarters

Another startling issue was what tools the NSA uses for surveillance. A lot of people heard about PRISM, the program that uses technology companies including Microsoft, Yahoo, Google, and Facebook to collect people’s information. What I found more alarming was what the NSA does with hardware. Greenwald writes, “For years, the US government loudly warned the world that Chinese routers and other Internet devices post a ‘threat’ because they are built with backdoor surveillance functionality that gives the Chinese government the ability to spy on anyone using them. Yet what the NSA’s documents show is that Americans have been engaged in precisely the activity that the United States accused the Chinese of doing.” So, so much for quitting specific websites to avoid being spied on.

The reason all this is a problem, Greenwald explains, is that mass surveillance limits our freedoms. People behave differently when they know they are being watched. They self-censor, limiting possible choices because they know they need to behave within a certain range of social norms. This is problematic in fields such as the arts. If authors or film-makers are censored (like during the McCarthy Era Hollywood Blacklist), they don’t make things that they know will not be published or produced. They create works that are within the realm of social acceptability. People become afraid to speak out even if no one is being punished (yet). The fact that they are being observed and that there may be repercussions for deviant behavior is enough to stop people from creating dissident works or otherwise speaking out against the government.

Finally, Greenwald calls out the media, the “fourth estate,” for failing us. The main criticism is that the media has become a comfortable part of the political establishment. Reporters are no longer the outsiders they were in the mid-twentieth century. Greenwald describes the media as courtiers to the throne of American political power, “eager to defend the system that vests them with their privileges and contemptuous of anyone who challenges that system.” He also rails against so-called objectivity, which, for the media, is “nothing more than reflecting the biases and serving the interests of entrenched Washington. Opinions are problematic only when they deviate from the acceptable range of Washington orthodoxy.”

and what you can do about it

After reading No Place to Hide, I realized what is really insane about all of this: the scope of it. The fact that the NSA intercepts shipments of hardware like routers, outfits them with their spyware, then sends the shipments on their way. That is insane. Even if you delete your Facebook and stop using Skype, there is no way to get around someone snooping in your internet pipes unless you quit the internet entirely. And who would do that?

I don’t know what the answer is to all this, but I think that educating people on the issues of privacy, civil liberties, and surveillance is an important starting point. The fact that my boss thinks it is a good idea to say things to me along the lines of “I would rather be safe because of my children!” or the classic “It doesn’t bother me because I’m not doing anything wrong.”

a man dressed as Elvis talking to another man
A man impersonating a dangerous terrorist icon

Well, this bothers me because I’m not doing anything wrong. I’m not breaking the law. I’m not selling drugs or supporting terrorism (domestic or otherwise). The problem with mass surveillance is that whoever is doing the surveilling has the power to decide what is wrong. What if you read about anonymous? Elvis? Are tracking a package? Curious about satellite phones? You need to look at your life and look at your choices, you potential threat to national security! Those are all topics on the NSA’s list of words that flag you as a potential threat.

If you think it’s insane that your email discussions about encryption or the dictionary might be of interest to the NSA, you are not the only one. The site Hello, NSA generates keyword-rich phrases based on the NSA’s wordlist. In 2013, RedditGifts had an anonymous gift exchange called Now Sharing Absurdity – the NSA Gift Exchange, which encouraged participants to theme their gifts around subjects in the NSA word list.

I am glad that there are other people who find the NSA’s behavior ridiculous, but unfortunately, a lot of people with decision-making power are not among them. The secret FISA court has made this type of warrantless spying permissible. Greenwald writes that Snowden hoped that the Obama administration would “change the excessive abuses of national security that had been justified by the War on Terror … ‘but then it became clear that Obama was not just continuing, but in many cases expanding these abuses.’”

Right now the only method that seems like it will be effective in curbing these “abuses of national security” is putting pressure on legislators to make changes and voting for people who are not committed to the status quo. One positive outcome is that the House of Representatives voted in support of an amendment that would “prevent intelligence agencies from using the funds to force software companies to build back doors into their products,” according to an article in The Daily Beast.

I wish I had more ideas for how to do something, but I do not. My biggest advice is to vote. Don’t just vote for anyone, but cast an educated vote. Follow organizations like the Electronic Frontier Foundation, which works to defend civil liberties in digital space. Educate yourself and don’t be afraid of having an unpopular opinion if your opinion is based on the facts. Edward Snowden said that his biggest concern with leaking his trove of NSA documents would be that no one would react and nothing would change. The least we can do is read up on the issue and move forward with our eyes open.

What to read next:

  • I started working my way through the original articles that Greenwald wrote for The Guardian about the Snowden leaks. I did not read many of them as they were coming out; most of my news on the subject came from Democracy Now. I am interested in seeing the progression of the leaks. Also, Greenwald is not done yet, there is at least one more major article set to release soon, as of this writing. Greenwald is now writing on a site called The Intercept.

  • When Greenwald and Laura Poitras met Snowden, they asked why he did what he did. Snowden cited the book The Hero with a Thousand Faces by Joseph Campbell as one of his influences. I found this interesting because I had already checked it out from the library. Campbell wrote prolifically on comparative mythology and the role of myth in our culture. I enjoyed his book The Power of Myth, so this is definitely on my to-read list.

Articles I Wrote at ALA Annual Conference 2014

I attended the 2014 American Library Association Annual Conference in Las Vegas. Becuase I am not content to just sit and listen to everyone, I signed on to work as a stringer for American Libraries, the magazine of the American Library Association. I wrote articles about the sessions I attended and submitted them to the American Libraries
“The Scoop” blog.

In no particular order, here are the pieces I wrote while at the conference:

Wayfinding in Las Vegas: Walking Shortcut from the Riviera to the Las Vegas Convention Center

I’m in Las Vegas for the American Library Association Annual Conference 2014 (#alaac14). I’m staying at the Riviera and I can actually see the Las Vegas Convention Center, the location of the conference, from my hotel room. I discovered a short way to walk from the Riviera to the Convention Center. I took a few pictures to share the route with my fellow travelers.

Exit the Riviera through the doors near the hotel check-in desk. When you walk out, you are facing the parking garage. Stay on the sidewalk and walk past the parking garage. Keep walking past the tennis courts.

Riviera backlot
Follow the sidewalk past the parking garage and tennis courts.

Near the end of the sidewalk path, there is a sign that points to the right. Cross the street and turn right into the small, fenced-off parking lot.

Follow the arrow. Turn right.
Follow the arrow. Turn right.

Walk straight through the fenced-off parking lot and through the gateway to the Convention Center parking lot.

20140626_133512
Walk through the gateway into the Convention Center parking lot.

From here, you can cut diagonally across the Convention Center parking lot. Enter the Convention Center near the visitor’s center. Go up the escalator and walk through the causeway to get to the main area of the Convention Center.

I hope this helps a few people get where they’re going. Enjoy the conference, everyone!

Meanwhile in Civilized Space

Book Review: Ancillary Justice by Ann Leckie

Ancilary Justice book cover

Ancillary Justice is an awesome book. I know I’m not the only person with that opinion because it won a Nebula Award and an Arthur C. Clarke Award. Instead of focusing much on the plot (although I will address the plot because it is good, too), I want to talk about what makes this novel interesting.

Justice of Toren One Esk Nineteen also known as Breq is an ancillary. Ancillaries are human bodies that belong to a space ship. Ancillaries are mentally networked with their ship. Essentially, they are people with AI (artificial intelligence). Large ships, like Justice of Toren of which Breq was an ancillary, have multiple crews of ancillaries who work together to take care of the ship and support the human crew.

The plot hinges on the concept that an AI occupying multiple bodies can have conflicting opinions. Even though the AI’s bodies are technically all the same person, none of them really individuals, they can fragment. Breq belongs to a group of ancillaries called One Esk. Among many other campaigns, One Esk serves planetside during the annexation of another culture by the dominant civilization, the Radch. Events on the planet make One Esk realize that she does, perhaps, have the ability to hold internally conflicting opinions. Later, One Esk Nineteen is isolated from One Esk and Justice of Toren and she must adapt to acting individually.

That is the barest introduction to the story. I like the way AI works in this novel. Holding it together is the ancillary system, whose brutality is barely acknowledged by the Radchaai people. Radchaai seem to find it inappropriate to discuss what ancillaries are, insisting that they are not people, but equipment, part of the ship. Ancillaries used to be people themselves. It seems that most of the bodies ancillaries inhabit were formerly those of enemy combatants or citizens of the Radch who did not fit well into the social order. The origin of the ancillaries is not much discussed, but it does seem like the sort of horror that may be exposed in the series’ next book.

A lot of aspects of Radchaai civilization (this is a redundant phrase since in Radchaai, Radchaai means “civilized”), are like that: intensely brutal, but people work hard to ignore the brutality. The Radchaai people are relentless in annexing as many other civilizations as possible. The novel eventually reveals that the Radch are so focused on annexation because annexation drives the whole economy and the system of wealth acquisition for prominent families.

I appreciate the social structure in the Radch and the detail apparent in the way the culture works. It was different enough that it had a feeling of otherness, but many of the concepts were recognizable. The Radchaai structure themselves into family Houses, with certain families being particularly wealthy and prominent. These Houses participate in a kind of patronage system, called clientage in the book. Houses with less influence can be “clients” of weather houses. Of course, this kind of system puts poor people at a disadvantage, as ever. People with influence can get better placements in the military and are assumed to just be better people. People of “low” birth are at a major disadvantage in this system.

The Radchaai demonstrate their civility through outward symbolism. No Radchaai would be caught dead without gloves, for example. I like the idea of gloves as a marker of civilization, personally. They also make public displays of worship in temples, exchange pins and jewels to affix on their uniforms, and drink tea (like all civilized people in every era, clearly).

Radchaai pins, via http://asakiyume.livejournal.com/711734.html

Ancillary Justice made me think about how I perceive gender when reading. In the Radchaai language, there is no gender binary. Everyone refers to others as “she.” Children are automatically daughters. Women are simply people. There are both men and women, of course, but the civilized Radchaai tongue does not acknowledge them as different. Neither are there explicit performative actions for femininity and masculinity; anyone can present themselves in any (socially acceptable) way. Gender presentation is not tied to propriety. When the protagonist is on a backwater world, she has to use the local language, which includes referring to people with the correct gender pronouns. Our protagonist, as an AI and former part of a ship, finds it difficult to distinguish male from female and she is at constant risk of offending others.

This un-gendering of everyone is awesome. I did not realize how strongly ingrained it was for me to see male as the default. When the author introduced a new character, I considered him to be male. There are a few biases here that made me assume everyone was male: this is a militaristic civilization (many of the main characters are lieutenants, captains, etc.) and much of the story takes place on space ships, which are also stereotypically a male thing. But when a character inevitably referred to other characters as “she,” my brain did a double take. I didn’t even realize I was imagining characters as male until I was confronted with the female pronoun. Of course, the way the novel is set up, any character could be a man (technically speaking), but that person is still referred to as a woman, and that is the civilized thing to do.

I applaud Leckie for writing a civilization that treats gender this way. Seeing how gender can be irrelevant is fascinating. Even though I am educated about many gender-related issues, I still have this male-default bias. I didn’t even know I was doing it. I hope to see more books that play with gender so skillfully. Ancillary Justice challenged assumptions I did not know I had.

What to read next:

  • It is not being released until October, but obviously my suggestions include the next book in the Imperial Radch series, Ancillary Sword. You have four months to catch up. Get on it!

  • Want to read more about artificial intelligence (I do!). Try Our Final Invention by James Barrat. This is a non-fiction book about the coming-soon technologies leading to AI.

  • Somewhat unrelated, but I read this recently and liked it: Lexicon: A Novel by Max Barry. This novel does not challenge the linguistics of gender like Ancillary Justice does, but language and how it is used drives the plot. It was an interesting read and I recommend it.

How to Give Good Interview: A Post That Goes Beyond Getting Dressed

Today, a friend told me that her 18-year-old daughter wanted my advice for job interviews. My knee-jerk response was “Why does anyone want my advice?” Then I remembered that I have interviewed a ridiculous amount of times in the last few years. Hence, I write this post.

This afternoon, I clicked one of LinkedIn’s many clickbait articles about job interviewing. I always want new advice about interviewing because it was difficult for me to learn how to interview well. It frustrates me that most interview tip articles read something like “Wear clothes! Know where things are! Don’t offend people at the office!” These tips are insulting. Of course you should know where you’re going before you go there. Yes, you should wear appropriate clothes. Do people not know this? There are literally thousands of articles about this. We can move past telling people to dress appropriately for job interviews.

Interviewing is a skill. It is a skill that you learn. Like most skills, you improve by practicing. The year I got my first teaching job, I went on approximately 15 interviews. It might have been as many as 20. I lost count. The next summer was more of the same: I went on a lot of teaching interviews and some State of California job interviews too. Now I interview for all kinds of jobs. I am definitely positioning myself in librarianship and writing, but you never know who might be interested in what you have to offer.

You can prepare for interviews. An interview is not a spontaneous presentation. It is not a test of quick thinking and wit.  When I realized that I could prepare for interviews, my strategy changed completely. I used to show up for interviews hoping that it would not be horrible, thinking there was not really anything I could do to prevent it from being awful. Now, I show up for interviews ready for battle.

Before we continue, I have to admit something: interviewing is hard. It is hard emotionally. After an interview I am tired. I analyze the things I said and the things I did not say. I usually schedule interviews such that I don’t need to return to work after. I spend the time afterwards sleeping, playing video games, and eating baked goods.

The preamble is over. This is what I do when I have an interview.

Phase 1: Preparation

Analyze the Job Description

Knowing the job description is the most important factor for interview success. The most common opening question in an interview, in my experience, is “Describe your education and experience as it relates to this position.” If you know what is in the description, it is much easier to answer this question.

If your English teachers ever made you annotate a text, recall those skills now. Print out the job description. Yes, print it, like physically on paper. Get your hands on that job description! As a former English teacher myself, I go over mine in red pen, but you can use a rainbow marker or whatever makes you happy. Get ready to mark this business up.

Read the job description. I underline key things like what they want me to do in

the job. I circle skills they want. In the margins, I write a one- or two-word note about what I did or learned related to this. If the description mentions “presentations” I make a note like “teaching.” If it says “MySQL” I write “MLIS classes, Stanford MOOC” because I took a database management class and a MySQL/PHP class during my MLIS (masters in library and information science) and I did a MOOC (massive, open, online course) from Stanford University called Introduction to Databases. Sometimes I don’t have a good note, but I can mark something so I can think about it later. Go through the whole description making notes.

Start Your Notes

When I make notes for an interview, I usually write on paper because I remember what I write better than what I type. However, typed notes are neater and can be easier to read in an interview. If you have bad handwriting, try writing your notes first and then type them later. Then go learn how to write properly!

I start my notes by writing what kinds of tasks a person in the job has to do and what information a person in the job needs to know. For an example, I did a screening interview for a technical writing job today. According to the job description, the employee needs to:

  • Learn the product.
  • Write product descriptions.
  • Define standards.
  • Interview SMEs (subject matter experts).

And the employee needs to know or have:

  • Analytical skills.

  • Strong communication skills.

  • PHP, MySQL, C++, or Perl.

That is an abbreviated list, but hopefully you get the point.

Research the Company

This part can be the trickiest, depending on what the company is. I have interviewed at a lot of public agencies (schools, libraries), which have a lot of easy-to-locate information online. If you are searching for a privately-owned company, this is more difficult. Some things you want to know because they help you frame your responses (think mission or vision statements) and some things you want to know so you can understand what you might be getting yourself into. Here’s a non-comprehensive list of the types of things to look up:

  • Mission and vision statements: You want to know what the organization’s goal is. This seems like a straightforward concept, but there is a lot of variance. A school’s mission, for example, is generally to educate people, but the mission statement might include something about fostering diversity, creating life-long learners, or preparing students for college. Whatever the things are, you should talk about them. Work them into your responses when interviewers ask why you want to work there.

  • Strategic plan: Where is this organization heading? What are its specific goals? The strategic plan tells you this. Again, strategic plans are usually online for public agencies. They may not be online for private agencies. I have found strategic plans to be helpful when preparing for library interviews, in particular.

  • People: Who works here? This is where a LinkedIn account is handy. I look up people doing the job I want to do at the organization and look at their LinkedIn page. Try not to look at their LinkedIn page more than once or twice because LinkedIn tells people how often you look at them. You don’t want to look like a stalker (I worry about this. I’m not sure if others really care). If you can, look for blogs written by the employees. You might not find exactly the people who you end up facing in an interview. That’s okay. This research can give you an idea of the type of people who work at a place. It can help you decide if you think the organization is a good fit for you.

  • Blogs and social media: What does this company say about itself? They almost certainly have a blog. They probably have a Twitter account, a Facebook page, and maybe even a Pinterest or YouTube channel, depending on the field. Read the blog. How does this company portray itself? Reflect those values back to the people interviewing you. It will make you look like a good match for the company.

  • Glassdoor and related sites: I like to check Glassdoor when I prepare for an interview. Glassdoor does not have data on every organization, but it can help you figure out how much people get paid. There are sometimes reviews of the company by employees. Remember that people tend to review only when they are really impressed or really distressed. Consider the reviews, but do not take them too seriously. File them away in your brain. If you see any warning signs in your interview that the organization is as bad as people say, feel free to run in the opposite direction as quickly as possible.

Research the Job

You will not be the first person in the history of the internet to interview for your type of job. Use the internet. What is the job title? Google “Interview questions for [job title].” I searched for “interview questions for technical writers” and found a ton of pages full of questions. This can be overwhelming. My advice is to skim the questions and think about the kind of answer you would give. I don’t write answers to everything because I take writing too seriously and I overdo it if I write practice answers, but I do put a few sentences together in my head and then say them out-loud. This helps me remember what I want to say and it keeps me from stumbling over the words in an interview.

There are way more potential questions than there are questions employers actually ask. Think about your specific job and what they are likely to ask (note: guessing accurately takes practice and you will still be wrong most of the time). Also consider some common, general interview questions. One I like to be ready for is the “What are your greatest strengths/weaknesses?” It is difficult for me to answer this question spontaneously. My real greatest weaknesses are not something I want to tell an employer (reveal nothing to the enemy!). I like to be ready with things that are true but not crushingly accurate. It’s also a good idea to discuss how you overcome your weakness when you answer this question. I usually go with noisy environments and perfectionism as my problems. For noise, I say that it is hard to work in a noisy environment, but I get around this by wearing my headphones or sometimes even earplugs. For perfectionism, I say that it can be hard for me to get started writing or to finish something because I want to do so much research to be sure I have not missed anything. I solve this problem by setting a strict project schedule, moving on when I know approximately 80% of what I need to know. Your answer to this question should be personal, but know that it isn’t cheating to have something in mind in advance.

Finish Your Notes

Now that you are done with your research, you can finish your notes. I list the stuff I need to do and stuff I need to know for the job and next to those things I write something to remind me what to say. I also note the basics of the mission and vision statement, strategic plan, or any other relevant organization-related concepts. Don’t get too crazy with this. I keep my notes to one or two (hand-written) pages at most.

I sometimes write a list of “talking points” in my notes. This is a spot where I note anything that I think I should focus on or bring up in my interview that is not necessarily related to the job description. My talking points are usually based on what I find in the mission statement or strategic plan. For example, if a strategic plan mentions that the organization is updating its policy handbook, I would mention that I am studying technical writing and just finished a class on policy and procedure writing. This is something that might not come up in the course of, say, a librarian interview, but I would want to point out because it is a skill they probably want and can use.

Make sure your notes look decent. You will be sitting at a table with the interview panel. They can see your notes. If you have drawings of weird things or anything unprofessional, they will notice it. Type your notes if you need that to have things look tidy and don’t scribble on them!

Phase 2: Interview

Pre-Game

Try to take some time to relax before you head to the interview. Listen to some upbeat music, play a video game, go for a run. Do something that makes you calm. I don’t think I need to tell you what to wear or to show up on time. However, be aware of what you take into an interview. You don’t need a big purse or backpack. I take a folder or notebook (I have this folder from Staples) with my notes in it, three or more copies of my most recent resume, and a pen. Do not bring your phone. Leave your phone in your car. Personally, I do not want a potential employer to see my on my phone first thing when they walk into wherever it is I’m waiting for them. Spend the time in between when you arrive and when they summon you to review your notes and practice saying things in your head.

The Actual Interview

Interview! It is upon you! Shake hands with everyone and say things like “It’s nice to meet you.” I am not good at pleasantries, so I stick with the basics. After everyone sits down, hand the people interviewing you a copy of your resume. I say something like “Before we get started, here is an updated copy of my resume.” Just keep it simple.

They will ask you questions. In my opinion, the best interviews are when they provide a list of the questions. It is a lot easier for me understand questions that I read than questions that I hear. It is okay to ask the panel to repeat questions! You can ask for them to repeat it whether you really need it or if you just want some time to think.

One of the best realizations I made about interviewing is that you do not have to say everything perfectly if you know when to stop yourself. When I start answering questions I want to say a lot. If I feel like I am getting off track when answering a question, I stop myself and say, “I feel like I’ve gotten off track. Can you repeat the question?” It’s okay to do this. I think it looks good when you have the self-awareness to know when you’re not really addressing the issue anymore. I have not received any negative responses when doing this. I do not recommend using this strategy for every question, but if you do it two or three times, that is okay.

Your Questions

After the panel is finished with their questions, they ask if you have any questions for them. You should always have questions ready. This is something you can research in advance. I have some questions that I use in most interviews because there are certain things I want to know about. My questions usually include:

  • How do you train new employees?

  • Tell me about the organizational culture here.

  • What is your management style (especially good if they asked you about what type of manager you work well with)?

  • How do you see this position developing over the next few years?

  • What do you do to support professional development?

  • What does success look like in this position?
  • What is your first priority or the first project you want done by a new employee in this position?

Asking questions is important not because you care about the answers (you probably do though), but because it gives you more chances to respond. Take the management style question. If the manager’s style is different than what you said you like, you can take some time to clarify. You can explain how you would work with this manager. Interviews are a process. Both parties want to know more about each other. You have to look for places where you fit in. You cannot passively let others decide you are a good choice.

After you finish your questions, you need to ask one more to close the interview. There are several ways to phrase this, but you want to ask something resembling, “Based on what we discussed, do you have any concerns about my ability to do this job?” This gives you one last chance to make an impression. Going into an interview, you probably know what your weak points are. For me, I know that a lack of experience in the field is my worst thing, so I expect an interview panel to say they are worried about my lack of experience. They could say anything though, so be ready. If they have a concern, explain why it is not a problem and why you are great anyway. Tell them how you will overcome it and why you are worth hiring.

Finally, say thank you to everyone one more time. Tell them that you are really interested in the job and you hope they will choose you. If you didn’t already, ask when they expect to contact you with their decision. Try to get at least one person’s name or business card on the way out so you have someone to contact with questions later.

Phase 3: Decompression

Relax

After the interview, get some lunch (or whatever meal you’re on), go home, and relax in whatever way suits you. Interviews are draining as hell, so you should take the rest of the day off and not feel bad for doing it.

Follow Up

The next morning, send an email to the manager or contact person. Remember that business card you maybe grabbed on the way out? Use that to get in touch with someone. In your email:

  • Say that you appreciate that everyone took the time to talk with you.

  • Reiterate your interest in the position.

  • Ask if there is anything else they need from you. I typically offer more writing samples. What you suggest varies based on your field.

Forget Everything

I say this because I do not want you to go crazy. I go over everything in my brain after an interview, but after a day or so of that, I try not to think about it. There is no guarantee that anyone will call you or even send you a rejection letter (I know, it’s incredibly gauche). I assume that if I have not heard anything in a week, I will probably not hear anything ever. Do not maintain high hopes for long periods of time. This results in sadness.

The End

There you have it. My comprehensive guide to interviewing. I am sure there are other strategies, but I find this to be effective. I welcome questions and constructive criticism.

58 Days Later

Book Review: Notes from the Internet Apocalypse: A Novel by Wayne Gladstone

 

book cover
Cover: Notes from the Internet Apocalypse

Notes from the Internet Apocalypse is the diary of one man who chronicles the worst thing that could ever happen: the internet ceases to exist. Gladstone—both the author and the narrator, who goes by Gladstone—intermittently chronicles the first 58 days of post-internet society as it grapples with various stages of grief. The novel is amusing for people like me who spend a lot of time, perhaps too much time, online (presumably the intended audience). Even though it was an easy, entertaining read, it did get me thinking some deeper thoughts.

Gladstone (the author) wrote the story as an alternate-reality version of himself in which he is not a columnist for Cracked, but works for the State of New York (bureaucracy time—I feel for ya, Gladstone!). Gladstone uses two characters to represent the facets of himself, the eponymous Gladstone, and Gladstone’s friend Tobey who spends his time writing fart jokes for the internet. Gladstone (the narrator) starts taking notes in earnest on the state of things approximately a week into the so-called apocalypse, right around when people start getting really desperate for something to masturbate to. In fact, Gladstone depicts the stages of grief, starting with denial (everyone frantically slamming ctrl+alt+delete), but not quite reaching acceptance.

To cope with the new reality of a de-networked existence, bands of “zombies” take to the streets, forming circles based on their former affiliations—Digg, Reddit, YouTube, etc. 4Chan plays a role in the story as well, both through their group headquarters and, indirectly, in the Rule 34 Club (if you don’t know what “Rule 34” is, I do not recommend you Google it if you don’t want to find porn).

The plot of the story centers on Gladstone’s attempts to find out what happened to the internet. He ventures forth with Tobey and they find Oz, manic pixie dream girl and former camgirl who made money by streaming video of herself in the shower. As I write this, it sounds like everything in the story is porn-related. The book isn’t that sex-centric, but it does acknowledge the reality that it the internet is … an outlet for many people.

Over the course of the narrative, Gladstone also deals with the loss of his wife Romaya.

This is the paragraph with serious spoilers, if you care about such things. Romaya is, it seems to the reader, dead, but it is later hinted that she perhaps left due to Gladstone’s inability to do anything interesting, thanks to the internet paralysis that is so common among modern humans. This aspect of the story is actually what makes the narrative compelling. The story is punctuated with flashbacks to the at-times idyllic past between Gladstone and Romaya. The reader learns that the couple wanted to have a baby, but were unable to do so; Romaya had several miscarrages. The novel’s climax happens when, spurred by a memory of Romaya, Gladstone climbs to the top of the Statue of Liberty and confronts himself. At this point, the reader wonders whether the internet apocalypse is real, or a psychotic break as is suggested by several aspects of the narrative. I, for one, appreciate the psychotic break theory of the novel because it puts a personal tragedy on the level of a worldwide catastrophe. Basically, this book is like Gladstone saying “my wife left me and it hurts so bad that it feels like there is no more internet.” On its own, that sentence wouldn’t be that powerful, but backed by 212 pages of the written word, I get the picture.

I liked that this book outlined the world conditions well. Only the internet is gone. Computers still work, there is still television and everything else. The world is simply without networking abilities. It’s almost like it’s the early 1990’s, except you have a whole generation of people who have no idea what life is like without the net and at least two other generations who have forgotten how to live without it. Of course, Notes from the Internet Apocalypse made me think about life without the internet, as terrifying as that is (side note: when I picked up this book, I thought it might be more of a campy horror story, but I was wrong). On the one hand, I would be distraught without the internet because I rely on it for my job search, finding stuff out, disseminating my opinions in blog form, and putting holds on more library books than I can possibly finish before they are due. I also use the internet for a lot of shit though, like many people. There’s nothing inherently wrong with binge-watching Netflix, reading Reddit all day, or whatever your version of using the internet looks like. The trouble is that when we do this all the time, we can lose touch with business that actually matters.

Spending too much useless time online has been something I’ve been thinking about over the last few months, which is probably why I appreciated the message of the book. I have been trying to get in the habit of quitting my computer when I’m not actually doing anything. I remind myself that going through page after page of Reddit is not doing anything for my life. I at least force myself to make the conscious decision to vegetate online or go do something else. I’m not saying that we should all quit the internet, but I think there is something to be said for conscientiously choosing what to look at and how long to look when it comes to the web.

In short, this book is a light read and fairly entertaining. It had a number of good quips like the day eight comment that “Most offices are back in session, relying on faxes, phone calls, and the realization that 50 percent of all e-mails never need to be sent.” As someone working in an office right now: AMEN. Another piece of wisdom: “Trying to make a point online is like playing a game of telephone with fifty friends. All of whom are deaf. And neurologically impaired.” I liked that there was an undercurrent of philosophy to it. I recommend it to people looking for fun speculative fiction.

What to read next:

  • Since we endured a world without internets, I will suggest its opposite: cyberpunk. The Otherland series by Tad Williams (book one: Otherland: City of Golden Shadow) is long—not Wheel of Time long, but definitely substantial—and describes the plight of a number of people in a virtual world. It’s pretty awesome. Tad Williams is one of my favorite authors.
  • Tubes: A Journey to the Center of the Internet by Andrew Blum is a non-fiction book that describes the history of the internet and goes into how it works. Let’s get some perspective on our internet-having world.
  • The Shallows: What the Internet Is Doing to Our Brains by Nicholas Carr also deals with the internet’s effects on modern life. I reviewed it last year (almost exactly a year ago, now that I look at it). While I didn’t agree with all of it, I do think it was an interesting perspective.

Married to the Sea

Book Review: Sea Change by S. M. Wheeler

Sea Change book cover
Sea Change book cover

Sea Change is a delightfully written coming-of-age fairy tale, but the old school kind of fairy tale in which there is not really a happy ending and although everyone learns something about his or herself, no one is really better off than they were at the beginning of the story. What I’m trying to say is, this is my kind of fairy tale.

I finally got around to borrowing Sea Change from the library a few weeks ago. I greatly appreciate Wheeler’s writing style and I enjoyed the flow of story. Lilly, the protagonist, is raised by her merchant father and her formerly-giant-serpent-loving mother. Lilly’s best friend is a kraken. There is also a troll, witches, and bandits. If you’re not interested yet, your sense of fantasy may be defective. Schedule an appointment with your local librarian to set up a treatment regimen.

As I mentioned, this story is a fairy tale in the classic sense. Lilly, an only child, has had a lonely sort of childhood that seems to be unique to a certain class of protagonists and to people who never quite feel connected with the rest of humanity. Of course, in Lilly’s case, she is raised in a wealthy household and there are rumors that she is a witch. Lilly is not a witch, but she does spend much of her time by the sea, chilling with her kraken friend, Octavius (“Octavius? That’s a damned stupid name for a kraken,” grouses Lilly’s father. I find it an amusing name for a kraken, however.). Lilly is also witness to many parental fights in which her father accuses her mother of making him a cuckold. When Lilly’s mother is finally driven off by her father, a step-mother joins the family (bringing the hope of a son), and Lilly’s kraken goes missing, Lilly leaves the family home, beginning her quest to locate Octavius. Lilly’s life is mirrored by her mother’s teachings. It is mentioned that Lilly’s mother gave her “practical, frightening knowledge,” but did not tell her fairy stories until she was older, “in the reversal of the usual parental pattern.” Lilly sees a harsh childhood, only to follow it up with a heroic adolescence.

I am reluctant to give away too much of the story, but I do want to open a window into the magics used to propel the narrative. Lilly, seeking Octavius, trades her womanhood to a troll who offers her information. Octavius, we learn, had been captured and was being held by a circus-owner and a witch. The cost of freeing Octavius is to bring the circus-owner a magical cloak. At this point, anyone who has read a few books or played a few video games can guess that one fetch-quest leads to another. Lilly bargains and works her way through the story until finally she can reclaim Octavius. I won’t spoil the ending, but I will say that the reunion is bittersweet because people with magic are jerks.

Release the kraken.

The theme that stood out to me in this novel is that everyone must change, or to borrow the name of a certain webcomic, a lesson is learned, but the damage is irreversible. Lilly, of course, goes through the most drastic sea change in really every way possible. Her body is changed. She must learn to work—something she did not need to do growing up. Eventually, her mind is irrevocably altered as well. But it is not just Lilly who changes, her parents both make major changes: her mother by finally leaving and her father in a way that I will leave for the reader to find out. Lilly’s step-mother, Mary, we learn late in the story, also had to adapt to survive. Even Octavius and Lilly’s eventual sidekick Horace (a bit of an indulgence, but I will call Horace a sidekick) change. The root of storytelling is conflict, but I like that Sea Change also recognizes that major changes must be made for people to develop. The story also takes, in my view, a neutral tone towards change. Some books seem to argue that change has a positive or negative value, but it seems that in Sea Change, change simply is. Life continues heedless of the goals and wishes of humanity.

Sea Change is full of quality wordsmithery and is written in a style that does not resemble anything else I have read in a while. Wheeler is miserly with her words, but when she does lay down descriptions, they are wonderful and sometimes humorous. One of my favorite lines came from the story of Lilly’s mother and the giant serpent she loved. A woman in town is telling Lilly the story and she says, “’Against his cheek your mother leaned, saying whatever on says to the serpent that has stolen your heart.’” There is a lot of enjoyable language here. Another snippet I liked was the metaphor of “campfires too far off to reach on a cold night;” I will leave the context of this one a mystery for the reader, but I thought it was a beautiful way to render the concept.

Since Wheeler can be stingy with the words, I sometimes got the impression that I had skipped a paragraph and would need to re-read the preceding segment. This is not an indictment of Wheeler’s writing, but I will say that her style is different. I think that since the language used is so tight—Wheeler uses one word where other writers might use four—the reader has to pay attention and really value what words are used. I saw a review on LibraryThing in which the reviewer stated that s/he could not figure out what she didn’t like about the book, but there was something of the writing style that irked her. I would guess it was this. It took me nearly the whole book to put my finger on it. Personally, I find it a refreshing change, but I can see how others may not feel the same. For an example, of what I’m describing, consider the following passage:

“Lilly put the man out of her mind; words were on her tongue, but they were insufficient. She had become proficient at opening trousers since that first awkward fumbling on the slope of Three crones Mountains. She bared herself, asked ‘Are you still interested?’”

There is so much that is communicated in this short paragraph, but little is actually written.

Finally, and unrelated to the quality of the writing, I love the cover art for this book. The cover is actually what caught my eye in the first place. Now that I’ve read the book, I like how the cover manages to represent the work without falling on any of the contemporary clichés of book covers.

In any case, I do recommend this book, especially for people who enjoy fantasy or for people who are looking for a fresh writing style.

What to read next:

What to read next is a hard question here. This book seems unrelated to everything (I mean that in the best way), but I’ll attempt some suggestions.

  • Because probably everyone needs more kraken in their life, I suggest Kraken by China Miéville. Kraken, like Miévelles work usually does, has a certain other-worldliness. It’s a bit of an urban fantasy, there’s a strange cult, magics, and all that stuff you want from your fantasy books.
  • The Dresden Files is a series by Jim Butcher about a wizard in Chicago who does freelance and consulting detective work. I’ve read a few of these stories and I classify them as “popcorn” books (tasty and quickly consumed). Some of the same magical concepts in play in Sea Change show up in The Dresden Files. There are quite a few parallels between the one I just read, Grave Peril, and Sea Change.

A Special Request and a Long Rant: Coda

After the response I received to last week’s post, I feel I am obligated to pen some form of update.

First, I want to say that my network of friends/acquaintances/people who read my internet ramblings is pretty chill. When you post a piece that is emotionally honest like that, a lot of people respond to it. I know there are a lot of us who are in this job-seekers’ purgatory. I feel for all of you. I hope that we can collectively get out of this one day.

Second, I want to tell the rest of the story. As I had stated, it seemed that my workplace was jerking me around in regards to the matter of a full-time job. Their apparent lack of communicative acumen was too much for me. I almost didn’t even interview for the position, just out of disdain for the system. After I was done feeling miserable, I decided to go to war over it. I was mad that I was being treated this way. I studied up on some of the aspects of the new position. I decided I would give a damn good interview. I wanted to make it difficult for whomever they had decided to hire.

I interviewed on Friday morning. I thought I did a good job. I’ve probably been on more interviews in the last three years than most people have in their entire lives, so I do have a significant amount of practice and at this point. I typically give good interview. I closed my interview by asking if they had any concerns about my ability to fill the position. The response was a “no” delivered with zero hesitation. I found that odd, since I don’t really have any experience with the work of the position. I thought there would be some concern (there is always something). I left the interview unsure of how to interpret things. I knew I had done well, but I thought the final comment could either indicate that they had no reservations and intended to hire me, or they had no reservations and it didn’t matter because they were hiring someone else.

Two irons on stage
Searched for dramatic irony. The internet did not disappoint.

Well, with an almost predictable sense of dramatic irony, they offered me the full-time position that afternoon. Although, not until after telling me that it was a stressful position and that I would have a big learning curve. I’m not daunted by that. I accepted.

This is good because I’ll be making a little more money (I can pay off my student loans faster. Yay?) and I’ll be getting benefits (finally).

But as with basically any development that would be construed as positive by a normal human, I have some mixed feelings. I am glad I got the job because that means I can be a bit less stressed about my life. I question whether I really want to become entrenched in the State bureaucracy (spoiler alert: I don’t). A lot of people at work have been congratulating me on the new position, but that feels awkward to me. I don’t feel like I actually accomplished anything. I am still in the same classification. I convinced people they should let me work full-time, but a few of the administrators there had already been pulling for that anyway. In any case, it is more money and it is an opportunity to evaluate how I intend to move forward with the job search.

Maslow's Hierarchy of Needs plus WiFi
Maslow’s Hierarchy of Needs and WiFi

So, in the ongoing quest to find a job that I actually like and that fulfills me in some way, here’s the current plan. I’m still applying to library jobs (obviously) and pursuing professional development opportunities when I find them. I’ve stopped applying to writing jobs, since they don’t seem to be taking me anywhere. However, this week I started classes for a technical writing certificate, which I am taking through the University of California, Riverside extension. I had been planning to do this since the beginning of the year. As my Plan C, I am still working at the State, and I’m planning to move up as rapidly as possible, assuming I stay there. After another six months, I can ascend to the next classification and make more money. I guess working for the State wouldn’t be the worst thing, assuming that I can get into something that is research- and writing-focused.

I know there are people who see moving up in my job as unequivocally a Good Thing. I get where they are coming from and I wish I could just let my brain calm down and see things that way too. I have this deep and abiding need to be true to my own sense of self. Anything less makes me feel like a sell-out. I really just want to be in a job where I can research and hook people up with information. I think that would be awesome.

So, there it is. I hope the fact that I got a full-time job does not diminish the righteous anger of the last post. My feelings were genuine and my exhaustion was real. In fact, I would say that I still feel that way about the job search in general, but those feelings have been somewhat mitigated for now.